That Drifting Poo Was Way Too Meaningful! It's the TV Disappointments of the Past Year.

Looking back, we reflect on the television offerings of the past year, a handful of shows stand out not for their excellence, but for their notable failures. Ranging from cringe-inducing spin-offs to bafflingly poor docuseries, here are the productions that had us scratching our heads or simply reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Plagued with woeful scripts, painful character development (justice for Miranda!), and a paltry 71 seconds of fan-favourite Samantha, the show fought to find its footing. For a moment, as the final series started, it looked like it had at last found its groove. Then arrived an installment all about Seema’s natural deodorant. No wonder the showrunner announced this would be the final series. It concluded on a low point; the closeup of Miranda’s loo full of poo was just way too on-the-nose. Yet, fans undeniably had a hoot dissecting every single “wtf?” moment. And as Carrie – a single woman once more – danced around her sprawling townhouse to Barry White, who didn’t release a little sob?

The Kim Kardashian Drama

‘Is Kim Kardashian an actress? The answer is a resounding no.’

But that was almost the smallest of this drama's issues. The subject of a very rare no-star review, it was hard to know where to start listing the problems. The hilariously wooden dialogue? The mind-numbing veneration of wealth and materialism? The almost deliberate procession of tropes? Performances so poor they felt borderline spiteful? Suffice it to say “each and every one” and never speak of this show again. However, a new season has been commissioned, so we’re probably going to have to.

The Charlie Sheen Documentary

Given the legal troubles, domestic violence claims and parental shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not you’d really have known it from this three-part docuseries which chuckled along at Sheen’s various episodes of reckless hedonism while failing to tell us anything we weren't already aware of. Rather, it felt as if this loose cannon was being indulged, so any sympathy this show might induce should be reserved for the people who have had to suffer proximity with this charismatic but flippant narcissist.

The Iris Affair

Of course we understood it was ridiculous from the get-go: a thriller about a AI known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We stuck with it out of pure love for its stars … but by the end, it felt like even they had given up trying. One scarcely cared when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Shady characters convening in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is unfair on the gangland dramas of the late 90s. Many seem a little dated now, but at least they didn’t suffer the embarrassment of having to accommodate baffling dialects. But there were many other problems. Primarily that it was just profoundly dull; a conflict over drug-selling territory between various London picaresques which felt rather simplistic.

The Meghan Markle Series

Given the extent to which she grinds the gears of certain performatively angry commentators, it’s temptingly tempting to admire the Duchess of Sussex’s various ventures into quaint lifestyle as deliberate statements. But then you view them and are forced to concede that in this case, they may have a point. It’s like watching a lifestyle magazine come to life; a meme for evening drinks with delusions of grandeur; a parade of sleeping dogs, buzzing beehives, sentimental platitudes and forgettable crafting “hacks” you’ll forget instantly. All underpinned by vast, largely unearned wealth. Ugh.

The Beckham Documentary

There are clearly fascinating things to be said about regarding Victoria Beckham and her struggles with vocation, self-image, self-worth. But for some reason, this three-part series chose not to say them. Rather, the viewing was akin to consuming a marketing catalogue. She clearly has good reason to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any favours with this cagey letdown of a series.

The Game Show

It should have been the next cultural phenomenon – except even camper, with a glamorous star playing dead and a well-known personality overseeing her inheritance. What more could you ask for? As contestants battled it out, there was plenty of betrayal and arguing. But the rules quickly became incomprehensible: it’s even now too complicated to explain what precisely was happening. Even more regrettably, we only saw glimpses of the star via prerecorded videos. The show ended up reeking of a programme that was straining desperately to emulate something far greater than it.

The Lena Dunham Romcom

How do you succeed a show that captured a generation? The pressure was immense for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who arrives in London with a shattered romance. The lead actress took her biggest role by the horns and was a delight to watch, reveling in Austen levels of romantic notions. But it was all very slick and, ironically, was insufficient. Plus, the abundance of celebrity cameos involved felt uncomfortable.

The Sketch Show Return

Not good enough to be ‘uneven’.

Given the smart recruitment of talented younger comics, hopes were high. But unhappily, most of it didn’t land. A particular sketch was a single joke stretched to a dry pulp but recurring in every episode. One star seemed too ready to slip into a well-known ranting mode. The writing room sketches, in contrast, simply provoked the thought that they should probably have remained in there a while longer.

The Twisted Tale of Amanda Knox

This retelling of the story of Amanda Knox was overseen by Amanda Knox and pretty much exclusively showcased the perspective of Amanda Knox. So, while there probably is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The material needed to be handled with care. Instead, the series laboured awkwardly to find the right tone, lurching from strangely jaunty, slightly stylised farce to inevitably, real-life horror. Complex? Perhaps. A complete mess? Absolutely.

The Maths Genius Thriller

We admire the star … but did we believe him playing the most brilliant maths genius since, a man so smart he’s on the brink of a breakthrough that could ruin society? No! This international thriller about government agencies targeting – and eliminating – intellectuals frankly got more farcical by the second. Silliness-by-numbers.

The Bonnie Blue Documentary

This uncritical portrait followed the online personality renowned for explicit exploits as she undertook her most extreme challenge yet. What on earth would possess her? What we wanted was way more examination of her actual psyche, plus those of the men in the queue. They could at least have interviewed the now-famous mum who appeared to haul her son out of the queue. What we got was horrific shots and zero critical analysis of her infamy whatsoever. And to think, the documentary-maker has a young daughter too.

Kevin Hendricks
Kevin Hendricks

Maya Chen is a tech journalist and digital strategist with over a decade of experience covering emerging technologies and their impact on business and society.